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The Inspirations Of Oceanhorn 2: Knights Of The Lost Realm - Part 3

For this last installment of our Inspirations series, we had the chance to sit down with Heikki Repo, Creative Director of Cornfox & Brothers. Heikki, one of the founders of the company, is responsible for the overall vision and story of the Oceanhorn saga.

"When talking about influences, we need to differentiate between the inspiration for the whole series, and those specific to Oceanhorn 2: Knights of the Lost Realm," he says.

Upon the release of the first iPhone, the whole studio was excited to know everyone will have a powerful gaming machine in their pockets. At the time, the only RPGs on the device where some fairly obscure Korean-style action games – no RPGs in the vein of Zelda or Secret of Mana were available.

"Some of the games I hold most dear from my childhood were portable," says Heikki, "two of my favorites are Link's Awakening and Mystic Quest – Final Fantasy Adventure (Seiken Densetsu). I love them because they could combine the portable experience with extremely high-quality content. Mystic Quest, for example, uses a real myth (think Excalibur) and builds its story upon it. It also has a lot more drama than Zelda – a quite peculiar trait for those years."

Oceanhorn, since the beginning, was planned as Cornfox's own RPG franchise: an homage to the classics with its own personality. Versatility and gameplay experimentation were the keywords the company used as a guiding principle during the development of the first chapter.

"The first Oceanhorn is undeniably a Zelda-like, but we have XPs, and the story becomes increasingly dramatic towards the end – that's not something you'd expect, for instance, from a Zelda game. These ambitions carry on to the second game as well. When it comes to the actual plot, I think I've been deeply influenced by Final Fantasy VI, VII, and IX: they never take shortcuts, and everything that happens there is the outcome of very thoughtfully laid out worlds and events. What actually goes down in the games is the natural consequence of what already had happened before."

The story told in Oceanhorn 2: Knights of the Lost Realm is the background story of the first Oceanhorn: an opportunity to lay strong foundations for the saga, add more details, and create a universe that will keep making sense for potential new projects as well. "The production phase of Oceanhorn 2 brought everything into focus. Certain story elements were a bit vague, and I think we managed to handle them quite well in Oceanhorn 2."

Visually, Oceanhorn 2 will be an inviting, colorful game. Here the references are, again, Zelda and the Mana series: while its approach is console-style, the game will feature some dark undertones.

"Oceanhorn was developed by three people", says Heikki, "me, Antti, and Jukka. It was a 15-20 hours game, so it was a huge undertaking for so few people, but we managed to squeeze in cinematics and most of what you'd expect from an RPG. At the time I was playing The Last Story, Hironobu Sakaguchi's game for Wii." Sakaguchi had previously delivered Lost Odyssey, Xbox 360's own 'Final Fantasy'. The Last Story, developed in collaboration with Nintendo, wasn't destined, for obvious reasons, to set a new graphical standard, but the gameplay was something truly inspiring. "I saw that game as Sakaguchi's idea of where to take the genre's next: he focused on the feeling of presence, with party members talking to each other during gameplay, and an unprecedented possibility to use the environment to your advantage. The story wasn't limited to cinematics, but brought directly to the levels."

Energized by The Last Story, Heikki decided Oceanhorn 2: Knights of the Lost Realm would be a third person experience, with multiple party members.  

"I don't mind when people make comparisons with Skyward's Sword or Breath of the Wild, it means we're giving out the right vibes. If you compare screenshots from Call of Duty and Battlefield it might not always be obvious which one is which, but when you get to play, these games feel quite different. The same is true if you compare Oceanhorn to Zelda or Xenoblade Chronicles – they provide similar experiences but each in its own unique way."

One more saga that had an impact on Oceanhorn 2: Mass Effect. "After I played the Mass Effect Trilogy, I realized how the characters companionship and the way they explore the planets made those games great. I think that that, combined with the Zelda-like heritage of the first Oceanhorn, is what makes Knights of the Lost Realm special", Heikki concludes.

---

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Severed Line (XCOM Files)

PFC Jenkins & SPC Kobayashi, Mar 8, 2015

You want me to tell you about Shinji Kobayashi? The first mission that I ran for XCOM, I was under Kobayashi's command. He had just promoted to Specialist after distinguishing himself on his first mission under XCOM command. These guys don't give a shit about whether or not you're a decorated war hero back home, mind ya. The only thing that matters here is how many aliens you have packed up in bags for the lab rats to study. Until you nailed your first extra, you were as green as it gets around there. Kobayashi had already killed three of the things before I even got to see one up close and personal.

The mission itself was back home in Australia, maybe why I got picked. I don't know. The extras had started abducting people in a commercial area of Canberra. They sent us in to take em out. Aside from Kobayashi, SPC Rojas was second the in command veteran on the team. There was also PFC Cerna, Kovac and Natale with us that night. It was their first mission as well. We all knew each other from training, but none of us were really friends. The other three rookies were all from southern Europe, so they may have been the closest out of the six of us, or I maybe just imagined it. We were all chosen for a reason, though, so I knew I could count on them with my life if I needed to.

SPC Kobayashi didn't speak much. I'd never even heard the guy's voice before touching down that night. Even then, he only ever spoke when necessary, barking out swift orders over the comms in a heavily Japanese-accented English. His stoicism really set the tone for our team. Like his words, his actions were very deliberate and meaningful. He didn't like to waste time, especially in combat. At the time, I didn't know him particularly well, but I did like the guy.

Canberra Drop Zone

We were dropped on the street around 0100 local time on the 8th of March. I remember it distinctly, because it was exactly a week after Kobayashi had distinguished himself on the first XCOM mission against these alien bastards. I was nervous as hell, but Kobayashi and Rojas were calm and collected. Their confidence was reassuring. It was dark, but I thought the other three rookies were just as pale and shaken as I was. I like to tell myself that I wasn't the only hardened combat vet out there scared to death of these scrawny grey men with blaster pistols from outer space. It sounds silly, right?

In front of us there was this big, family Italian-style restaurant. On the left side of that building, there was a laundromat. We weren't sure where the aliens were now. There was enough evidence to assume they had already rounded up all the humans in both areas. The street was deathly silent aside from the soft shuffling of our boots and gear. You know, I'd make a joke about these naked little grey aliens being up all night doing their laundry or something, but honestly remembering the sight of human bodies all wound up in some green ooze turns my stomach at the thought. It's real hard to make jokes when you are seeing these horrible things from some sci-fi horror movie right in front of you.

Kobayashi & Jenkins Push To the Laundromat

SPC Kobayashi split the team into two groups with some waving gestures of his hands. He wanted me with him in the laundromat, while Rojas took the others to secure the restaurant. Kobayashi took the lead on our side, edging forward to the big windows of the laundromat cautiously. Sure enough, he startled three extras that scuttled across the tile floor to take cover. He raised his hand to motion for me to take a shot if I had one, so I fired my rifle. I nailed one of the extras cleanly on his side, he died instantly, spilling out on to the white tile floor. The thrill of that first, minor victory was intoxicating to me. I felt like I had earned my place on the team right then and there. This is why they brought me aboard, I thought. Before I could relish that feeling, the remaining two sectoids began to fire on our position.

I remember Rojas mentioned over the radio coming to reinforce our position, but before Rojas's small team could retreat from their position, several more of these sectoid things burst in through the back door of the restaurant and a fire fight broke out inside. I couldn't tell you, honestly, what was going on next door. Kobayashi and I had our hands full, taking fire from inside the laundromat. If we let them take any more ground, these two groups of aliens would have us surrounded. I advanced up to the window to get a better vantage point inside, while Kobayashi fell back into a flanking position. From his new positon, Kobayashi clipped an extra coming around the corner toward the entrance of the building.

Kobayashi Takes a Shot Through the Front Door

I heard a grenade go off in the restaurant. The chatter over our comms told me Rojas had moved into a forward position to get a good line of sight on the aliens. They had them pinned down at the back door to the restaurant, but it was a stalemate. Sometime after the grenade blast, Rojas was hit. He went down hard, but he was still breathing and more importantly - he was still shooting. In that moment, Kobayashi was beside me. He didn't panic or falter for an instant. He told the other half of our squad to stay calm and protect Rojas. I couldn't believe how cool this guy was under this kind of pressure. I remember the moment so vividly because Shinji put his hand on my shoulder and said to me, "I have to go over there. You take this last one. He is yours." He spoke with such assurance that I felt full of pride and resolve. They were counting on me to secure this building, and Kobayashi seemed to know I could do it.

Jenkins Takes the Laundromat

I didn't have sight on the enemy inside, but I could hear where he was hiding. I tossed in an anti-personnel grenade to flush it out - hoping it would just straight up kill the bloody thing, to be honest. I moved into the building as the grenade exploded in the back. The slippery bastard scrambled out into the open, covered in its own mucus-looking blood from the shrapnel embedded in its skin. It tried to take cover behind a folding table, but I took the shot before it even lifted its weapon in my direction. I sent word over my headset that the building was secure, and Kobayashi responded with one single word, "Good."

As I swept through the rest of the building to make sure there were no more creepers lurking in the shadows, I heard Private Cerna ordered to patch up Rojas who was suffering from a pretty serious shot. The rookies had a hint of anxiety in their voices, but Kobayashi was as firm as ever. He had Kovac and Natale push their way into the restaurant. Apparently a successful endeavor because Kobayashi soon asked me if there was access to the back alley through the laundromat. He had everyone but Rojas ready to breach into the alley expecting to find more resistance waiting for us there, but it wasn't the case. We could tell from some unusual sounds that there was activity inside the building across from us, so again the four rookies took up positions against two doors hoping to get inside and surround any enemies we found there.

Jenkins & Cerna Fire on the Drones

We threw open the doors together and were surprised to find these strange little robots buzzing around - drones by the look of it. Nothing like any drones we'd seen before but unmistakable alien robotics bobbing around the inside of this store like insects in flight. I assumed they were some kind of advanced scout, trying to keep watch while the little greys did their business. The aliens probably weren't pleased about how their last abduction ended in Vancouver so now they had these drones watching out for their troops. Fat lot of good it did for them, though.

Natale and Kovac managed to hit one, but it was Cerna next to me who finished it off. I managed to land a hit on the other drone as it tried to swarm out into the alley, but Kobayashi - that madman - ran intot he store and fired a bullet straight into its little drone face. I guess he was pretty confident that these things weren't swarming all over that store - or maybe he just knew we'd be able to take them down if they were. Whatever he was thinking, it was as crazy as it was impressive.

Kobayashi Finishes Things

This guy is intense, right? It was that mission Kobayashi strapped as many grenades to his body as he could find. Most of us were only carrying one or two of them to get ourselves out of a tricky situation, but not Kobayashi. He had four, maybe five where ever he could strap them on to his uniform. He was later known for his tenacity as a grenadier, but I'm pretty sure that's where it all started. The troops at XCOM would later start calling him "Kaiju" after the popular Japanese film genre. I can only imagine the first time he heard that name being tossed around the base, he just gave some approving nod and said in a low voice, "Good."

• from a talk with John Jenkins on the subject of serving under Shinji Kobayashi

---

XCOM Report - March 8, 2015 - "Severed Line"

SPC Shinji Kobayashi (Japan) - Squad Leader

• Confirmed Kills: 2 (1 Sectoid, 1 Drone)
• Total CK: 5 (4 Sectoid, 1 Drone)

SPC Roman Rojas (Guatemala) 

• Confirmed Kills: 0 
• Total CK: 2 (Sectoid)
• Condition: Serious Injury

PFC John Jenkins (Australia) 

• Confirmed Kills: 2 (Sectoid) 
• Earned Promotion

PFC Barbara Natale (Italy) 

• Confirmed Kills: 1 (Sectoid)
• Promotion Earned

PFC Jarmila Cerna (Czech Republic)

• Confirmed Kills: 2 (1 Sectoid, 1 Drone)
• Earned Promotion

PFC Peter Kovac (Slovenia)

• Confirmed Kills: 1 (Sectoid)
• Promotion Earned

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Setting Specific Classes, Inspired By The Cavalier

Episode 37 of my Dungeon Master's Handbook podcast covered the Cavalier class of the AD&D book Unearthed Arcana and my thoughts on it. One of the big lessons I got from this class was the usefulness of tweaking classes to fit the setting. I don't know why this came as such a revelation to me, but it did.

I've done it before, with the paladin. In my campaign, paladins are not just lawful good holy knights, they are champions of gods. [1]  I've permitted one of my players to think about how his monk might be different in terms of skills and abilities. Why not the other classes?

This is where the Cavalier class description in UA excels. It lays out the class in a very clear format that serves as a good template for me to start creating descriptions of other sub-classes.

1. Qualifications

2. Affects on Class Abilities

3. Bonuses/Restrictions

4. Roleplaying Guidelines

This leads to all sorts of fun ideas, and again, I'm surprised I haven't thought of this before!

Here's my first one, based off of a pagan goddess Mesha  (who comes from the old Judge's Guild supplement, The Unknown Gods). This is a valid option for clerics within my campaign!

Priest/tesses of Mesha 

1. Qualifications: Alignment of neutral or chaotic, Charisma/Wisdom of 14 or better

2. Class Abilities: Mesha's sphere of influence is the seasons and weather. She is capricious, but her chaotic nature is more about unpredictability than self-serving.

a. Her clerics, therefore, can use any druid spells related to weather/seasons and other non-animal related effects (e.g. fairie fire, pass w/out trace, predict weather, purify water, shillelagh).

b. Her clerics bless, chant, prayer effects vary, given how capricious Mesha is! It is a base 30% chance, +10% per 2 levels of the cleric (1st, 2nd is 0% bonus, 3rd, 4th is 10% bonus) that the bless will work normally. Less than 30%, it does provide any bonus. If the adjusted roll is 70% or higher, the bless is at +2!

c. If the battle goes badly or a cleric of Mesha finds themselves in life-threatening situations, they may forego use of spells for 1d6 days and appeal to Mesha for succor. There is a 10%/level chance that she will respond. Add +10% if the cleric is at 1/10th or less of their maximum hp. Mesha's assistance will be dramatic, but be an effect of nature (a rainstorm that blinds her enemies, allowing her followers to escape, a blinding sunshine light that distracts the enemy, etc.) She will not eliminate her enemies, but rather provide a way for her followers to survive and escape. The DM will need to adjudicate this carefully!

3. Bonuses/Restrictions:  Clerics of Mesha gain a +1 in saves versus cleric/druidic spells. Clerics of Mesha must always have the spell of sanctuary memorized. 

4. Roleplaying Guides:
a. The clerics of Mesha are just as unpredictable as their goddess. They revel in the change of the seasons and weather. Order and sameness are anathema to them, and they will seek to move on day after day, they will not willingly stay in the same place for more than 24 hours (place being defined as same room, building, general locale. They must lay their heads down someplace different each night.

b. At the change of each season, they will celebrate with a feast, spending at least 100 gold coins per level (or all that they own, if less!) in as public of a place as possible. These celebrations are known for their unpredictability! (Note: For those DM's who use "carousing for XP" rules, this counts as a carouse!)

[1] Podcast Episode 8 - Modifying my AD&D campaign - https://anchor.fm/thedungeonmastershandbook/episodes/Episode-8---Modifying-ADD-for-my-campaign-e8hg3k